Vogue Magazine

Vintage 1957 – Illustrator Edna Eicke

Edna Eicke - Tom Funk - (c)The Estate of Edna Eicke

Illustrator Edna Eicke

1957 was a prolific year for Edna Eicke. The prestigious New Yorker magazine tapped the accomplished illustrator to create six covers for the weekly publication. Over the course of her career, Eicke’s illustrations would grace the magazine’s cover fifty-one times, spanning the years from 1945 to 1961.

Eicke was born in Montclair, New Jersey in 1919. She graduated from Parsons School of Design with a degree in advertising and fashion and started her career sketching window displays for Sue William’s Display Studio in New York. After marrying fellow Display Studio staffer Tom Funk, Eicke started a family and a new career as a cover and interior illustrator for House and Garden, Vogue, Mademoiselle, Women’s Day, and many other magazines.

At first, Funk and Eicke lived in Greenwich Village. They were profiled by Life Magazine and photographs of their apartment appeared in House and Garden. They later moved to the artists’ enclave of Westport, Connecticut with their three children.

Eicke’s popular New Yorker covers usually depicted metropolitan landscapes and scenes from childhood. Games of hide and seek in the park, lights glowing from house windows at dusk, small ghosts going trick-or-treating, leaves changing color in autumn – how comforting these scenes must have been while the Cold War, Cuban unrest, and atomic weapon threat hovered in the background.

Prints of Eicke’s 1957 New Yorker covers – from January 19th, April 20th, June 8th, July 27th, August 24th, and December 14th – are still available from Conde Nast.

 

Portrait Image Credit: Tom Funk, the Estate of Edna Eicke
Illustrations Image Credit: The New Yorker

 

Mid-Century Modern – Vogue Magazine’s September Issue

Suzy Parker in Vogue Magazine, September 1957. Photo source: Vogue

Suzy Parker in Vogue Magazine, September 1957. Photo source: Vogue

The September 1957 issue of Vogue Magazine was probably not the iconic behemoth that currently arrives at the newsstand with a thud each fall to profile and advertise the season’s couture. But the Conde Nast bible of style, then under the editorial directorship of Jessica Daves, had much to do with guiding the taste and flair of 1950s closets. With mid-century modern bringing back a neo-50s vibe, this editorial image of Suzy Parker from September, 1957 feels right at home with the trends of today (possibly minus the green fuzzy hat).

Texan redhead Suzy Parker was one of the first very-supermodels. In addition to her editorial work for fashion magazines, Parker frequently appeared in advertisements for cosmetics and other consumer products. She was the first model to earn over $100,000 per year. Suzy was also one of the first in a long line of fashion models who made the crossover to movies. Two films released in 1957 slated Suzy for small roles: Kiss Them for Me, with Cary Grant and Jayne Mansfield; and Funny Face, with Audrey Hepburn and Fred Astaire. Fashion photography legends Richard Avedon, Horst P. Horst, and Irving Penn were inspired by Parker and their images, in turn, inspired 1950s women to pursue elegance with a flash of Texas sizzle. John, Paul, George, and Ringo – raging adolescents in 1957 – collectively wrote and recorded a tribute to Suzy in 1969, which was included in the soundtrack of the 1970 documentary, Let it Be.